One year one hundred works

By Artist and Designer Joanne Webb

no 62 – Fabric sketch

woman and starsThis month I attended the Henry Moore Textiles private view at Pallant House and then spent a few days thinking about my work on fabric.I have had the idea to reproduce my work onto textiles and then design clothes for a long, long time now, but feel more inspired than ever. Many artists have looked at me with horror when I mention thoughts about this and other surfaces in general. Unfortunately I cant help thinking that this is quite sad as out there are so many beautiful creative outlets beyond the square canvas and the white gallery walls. The moleskin sketch above is the beginning of some fabric ideas which I will be painting in watercolour and then scanning. This will then move me forward with ideas about the final fabric and the repetition of image on material. The images will be traced live on Illustrator and then fed back into my digital diary as vector graphics or I may just scan the originals to leave it more painterly and classic. The essence of everything that I produce is beauty.

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Cards and prints for sale by Joanne Webb

A collection of cards and signed giclee prints by Joanne Webb are available to buy from the following link:

http://joannewebb.bigcartel.com/

 

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no 61 – Minerva and the mermaid { detail }

Minerva and the mermaid - detail

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unexpected beauty beneath

I am currently working on seven panels at once now as well as the portrait and decided this week I would invest in an electric sander. The panel paintings require lots of layering of paint and usually after I have done this I begin sanding. I strip them all back  in order to reveal detailed work from previous painting sessions.This technique has always been labored and time consuming as well as messy. I want to reveal the unexpected beauty beneath. I then paint over with another layer and providing that  a few of millimeters are of luminous colour are still intact at the end then it would have been worth all the effort. The fear that this fiery little DIY number could potentially wreck six months careful work was fairly visible with the shaking hands but once destruction was viewed as an opportunity  I surfed across the panels like it was an iron.

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no 60 – a life from our window

 a life from our window - digital 09

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no 59 – work in progress

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no 58 -work in progress

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no 57 – work in progress

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no 56 – work in progress

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1 little painting in Chichester

 

Group Exhibition 

‘Stride Openart competition’

Dates of show

28th September until 10th October 2009

Venue

Oxmarket Centre of Arts

[John Rank Gallery]

St Andrews Court

Off East Street

Chichester

PO19 1YH

Directions and Information

T:01243 779103

E:info@oxmarket.com

www.oxmarket.com

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no 55 – work in progress

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no 54 – work in progress

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no 53 – work in progress

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The private life of my portrait

It struck me as I was uploading screenshots of the current portrait as it evolves, that what we are seeing is a private life. No-one is sitting for me as a model, it is not based on anyone I know, it is completely imaginary. As I make small changes and work on her features and then pause for each session, I find another face stares back. 

It’s almost like another person each time. We are only able to realize this because I am logging the event otherwise it would lost, you would never see it or know because all you would see is the final work. I wonder how many faces will appear until I reach the final stage. 

This theme was particularly poignant and echoed when I visited Pallant House, Chichester, over the weekend and went to see the Outsider exhibition. One of the artists exhibiting had 28 personalities, all of which were artists. She had three works in the show, each in a different style and unrecognizable as being the same person unless you realized the connection. She also had different childhood memories, friends and names for each artist personality. It was after seeing this that I saw all the different women in one painting.

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no 51 – work in progress

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no 50 – work in progress

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no 49 – work in progress

no 48

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no 48 – work in progress

no 48

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Crosspollination and a winter scene

The recent exhibition ‘Crosspollination’ at the Oxmarket Centre of Arts in Chichester, over the last couple of weeks was a real success. A humble thank you to everyone that visited the show and for those of you who came from afar because you were following the events via this blog. It was great to know that my plodding along on ‘one year one hundred works’ was not in vain! Paintings, prints and cards found new homes and because of this we are now in the throws of organizing another show for 2010. We are thinking of sticking around the Chichester area and may well head back to the oxmarket but in a slightly larger space. Work on the epic portrait is really coming along. She has dark hair and floats in turquoise luminous waters set amongst a winters scene. Watch this space for a possible ‘live web cam’ where you can watch the paintings as they twist and turn and look out for jelly fish and octopus paintings!

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no 47 – finished the oxmarket doodle

no 46

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Only 3 days left till end of show!

Exhibition title

‘Crosspollination’

New works,prints and cards by Joanne Webb

Dates of show

31st August until 12th September 2009

Venue

Oxmarket Centre of Arts

[John Rank Gallery]

St Andrews Court

Off East Street

Chichester

PO19 1YH

Directions and Information

T:01243 779103

E:info@oxmarket.com

www.oxmarket.com

 

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no 46

no 46

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no 45

no 45

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More fresh pics from the show

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Crosspollination – Oxmarket – Chichester until 12th Aug

Oxmarket 09

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no 44

woman 2

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no 43

woman The Oxmarket private view on Sunday went really well and it was great to see such so many people out and about in Chichester on a Sunday! So, many thanks if your reading this! By the end of the evening the wine was making deaf  of course but ……..all in all there were some amazing reactions and a lot of positivity about the show. My husband and I spent what seemed an age cutting out the 200 paper butterflies which circle the paintings and we did almost cry when we started pinning them to the walls earlier that day, realizing that the vision required precision and  blisters, but I must say the final look was grand. Awesome comments in the book as well today including my favorite which was ” mostly rubbish and I don’t know about £350.00 for a drawing but I think £25.00 will do!” anon ………well I only have one thing to say that really! Do come along to the show as it goes on until the 12th august. Here is a little doodle I did on Bank Holiday Monday with a bit of a hangover.

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private view – Sunday 30th August – Chichester

Its that private view time of year again! Time to get the glad rags on and avoid all the glasses of wine! ‘Crosspollination’ will start this Sunday evening at 6pm at the Oxmarket Centre of Arts in central Chichester. If you cant make the private view but you would like to buy work then have a look at our online store http://joannewebb.bigcartel.com/

Cards, prints and originals will be for sale on the night in the John Rank Gallery. Alongside this show will be three other artists exhibiting as part of the four galleries season. The show will be on for 2 weeks only.  

Exhibition title ‘Crosspollination’ 

Dates of show 31st August until 12th September 2009 

Private View Sunday 30th August 6-8pm 

Venue Oxmarket Centre of Arts ,St Andrews Court ,Off East Street,Chichester ,PO19 1YH 

Directions and Information 

[ Head down the small alleyway beside Marks and Spencers food hall on East Street ] 

T:01243 779103 

E:info@oxmarket.com 

www.oxmarket.com


DSC00091_1 2

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no 42- New online store now open – follow the wolf

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no 41 [stage 3]

Flipping over the panel to a landscape horizontal I then added my waterslide decal paper.Ludicrously difficult until you realize that you need to do it real slow and literally slide it off at a snail pace rubbing the skin down as you go  a bit like wallpaper. Bubbles pop up everywhere and if you haven’t prepped your acrylic spray good enough the whole image starts bleeding…..but with interesting results.The trick is to prepare many sheets at once so you can collage it all together and work on very small cut outs instead of large images.I wanted these little panels to look almost chaotic and messy but then you look deeper and you see the little birds, the plants and the wildlife right under your feet. Stage 4 is the oil painting over the top with a flat colour possibly grey.

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no 38 [ minerva & the mermaid ]

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New greeting card range now on sale!

Well finally! It’s taken a lot of tweaking,fine tuning and many , many cups of tea , most of which went cold, but the online store is finally looking cohesive! I really wanted elements of my work to be accessible and therefore a two quid card fills me with joy not dread.I can totally max out on the creative element without the shadowy art critics wailing and winging shuffling behind me with knuckles on the floor and noses in the air! Hurrah I say! I have freed myself at last! The beauty of working digitally of course is that it allows me to work at a phenomenal pace creating a whole series of works which almost seem to take flight as one leads to another! I love the tradition of painting but alas I need to be in such a serene place to be able to pull it off. Layers take days and little faces take hours,oil paint gets on my carpet and the little one bed flat groans at the mess.In between I have to go to work and pay the rent therefore each moment spent releasing the creative energies fills me with wonder.My little cards are now on sale and all need homes: http://joannewebb.bigcartel.com/

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Card photo shoot and production line

Well we have officially turned the flat into a production line. Over the weekend my husband and I packed,wrapped stuck folded and inserted 500 greetings cards.

I really enjoyed it and thought scary thoughts for five minutes like how out of control cottage industries can go!

I then invested in a new camera and was kindly allowed to do a photo shoot in a very cool shop called ‘Marigold’ hidden at the back of Marks and Spencer in Chichester.

If you have not been there already this shop is stocked to brim with vintage designs and Cath Kidston products. It was the perfect backdrop for my cards and the new images will be showcased on the online store very soon. It should be up and running properly in about two weeks maybe sooner.It has all taken a lot of tweaking but things are looking good!

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Greeting card collection by Joanne Webb

Almost there! The new greeting card collection is being printed as we speak. It has been incredibly time consuming getting the collections together not only in final artwork but also in researching printers,cello bag and envelope companies. Finishing touches are still being added!

The prices for everything varied so much and it all looked out of my budget,however it was not until I was advised to ask for digital printing that the quotes dropped.This meant that I could order different cards all at once instead of just ordering one kind.Because they don’t need to set your images onto a plate you don’t get charged as much.

I also recommend that you work with a local printer as you need to have a good dialogue and look at different paper weights.For now I am starting of small. Five hundred cards have been ordered.If you would like to buy them keep an aye on the online store!

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no 37 [ An exclusive peek at the new card collection ]

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Just given the store a make over and an …

Just given the store a make over and an upgrade check it out ;http://joannewebb.bigcartel.com/products

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Looking for a greeting card company to p…

Looking for a greeting card company to produce a collection of six.

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Exhibition Dates now confirmed

Exhibition title

‘Crosspollination’

New works,prints and cards by Joanne Webb

Dates of show

31st August until 12th September 2009

Private View

Sunday 30th August

6-8pm

Venue

Oxmarket Centre of Arts

[John Rank Gallery]

St Andrews Court

Off East Street

Chichester

PO19 1YH

Directions and Information

T:01243 779103

E:info@oxmarket.com

www.oxmarket.com

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no 34 [redwood under foot]

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no 33 [rapids]

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no 32 [redwood by sauna]

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no 31 [flat water lake]

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no 30 [away from the rain]

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no 29 [oh the rabbits]

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no 28 [with a crest]

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no 27 [in flowers]

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no 26

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no 25 [hidden in trees]

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no 24 [Chaffinch]

Centre Parcs,Longleat

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prints=time

Recently I launched an online store selling prints of my paintings. This is largely an experiment as to whether its possible to purchase your own house in West Sussex through internet print sales complete with an art space and gallery good enough for a centre spread in country living! I’ll get back to you on that one! When it was first launched I thought about limited editions but then I thought mmmmm…….. that’s limited! And luckily before I slid on the entrails of cultural greed I came to my senses.It just means that I now have to sell six million prints in order to achieve it! Its great having no 1 of 365 in the whole wide world of anything,but it makes prints ultra expensive and inaccessible. Instead,an open edition of A4 prints have now replaced the larger A3 prints and a smoother, sleeker paper is now being used. The luminosity of the ink will still last 80 years however and because each one has been lovingly scanned from the original panel, each brush mark, detail and bump is crispy clear and quite frankly a bargain! Click here to check out the new prices! 

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no 23 [Car,lemon jelly & pencil]

Armed with a one of those snappy little pencils with an eternal rod of led that you click on demand, I drew these horses in the back of a car.We travelled up to Manchester over the weekend and listened to Lemon Jelly and it all got a bit hypnotic on the way home. Perpetually fascinated by the human relationship with nature, what started of as ‘horse’ became ‘man’. Uninterrupted, undistracted. Jodrell Bank sat like an ugly beautiful thing pointed at the heavens and then the heavens opened up and thundered on the car roof. I went really far away with my pencil and then returned again after completing another drawing of a mermaid come manga character. Motoring sweets at hand, all covered in sweet white dust, it was really quite something. Start new bird panels soon.

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Online store now open!

My online store is now open. Currently available are Limited edition giclee prints. There are only 365 available worldwide of each image. I will also be launching further collections later in the year.

Click here to buy my prints

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Get your free artwork

Over the next few months I will be designing a special one off piece of digital art which will be printed on a A6 postcard. There will only be 49 postcards in the collection and only 20 will be signed on the back. The image will never be used for anything else and will not be for sale as a print, therefore you will have something very unique. If you would like one of my postcards all you need to do is click on my online store / click on contact / leave your name / email and your home address and the phrase ‘ I want one of your postcards’. As soon as they have been printed I will send your free artwork through the post. I will also keep your email address for my mailing list and so you will be the first to hear of exhibition private views and any other updates.

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no 22

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‘Girl on stilts’

The final panel of ‘Girl on Stilts’ is coming soon! For those of you who are just hanging of your seats in desperation to see the final image put together as one image the wait is nearly over. Panels one and two can currently be seen via the Saatchi link on the right. When all three panels have been shown separately I will post the complete image as one.

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Twitter

To read a daily update from Joanne Webb then click on the tweets side bar on the right and to view the new twitter inspired design work click on on the ‘Twitter poster’ page.

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New hybrid rework

Hybrid artist posterTo see a large version click on the Hybrid artist poster page above.

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Tea, jammy dodgers and works in progress

Desperate for storage space in my bathroom I recently utilized a wooden champagne box and turned it into a vintage shelf.I had cunningly obtained this box not by drinking champagne but working like a dog in a well known off license chain when I was nineteen.By making a general nuisance of myself they eventually gave me the box and then said they needed to let me go making some parting comment to me about how ‘I should think about being self employed’. Anyway years later,in my studio I had used this box as a drying space for my gesso panels and it worked really well as the dimensions were perfect to hold the boards at a slanted angle so that the paint could dry.I happily placed all our bathroom potions and perfumes inside the box and then placed books lovingly on top. Great I thought, my new retro vintage shelf! I sat down afterwards with a cup of tea and a jammy dodger and looked at my tiny piece of Cath Kidston interior country living life that resembled the magazines by the toilet and I felt that I had achieved a little piece of visual heaven.Three days later I realized something. At the bottom of the box I had wrote in pencil ‘works in progress’ and this was now clearly visible. At the time when it was in my studio this little phrase allowed me the fortuitous freedom of painting any old image and not having to justify it.It also reminded me on a daily basis as I painfully analyzed my work from the night before, that although the works in front of me were unfinished and a bit crap, this was okay, as any minute now the pure unadulterated act of genius would flow through my hands from God and a masterpiece would be born. This never happened and I now fear that anybody visiting our toilet will think that I have made a site specific statement statement about the space in which ordinary everyday household objects seemingly now sit juxtaposed in a theatrical setting, a literal landscape made out of bubble bath in which an imagined but real space represents human emotion and comments on the modern world and how life itself is ‘a continual work in progress’. And by god if this had been my way of thinking you can guarantee I would regularly be exhibiting in London.You know it, right?

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no 16

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Saatchi online gallery – panel 2 added

Panel 2 of ‘Girl on Stilts’ has now been added to my Saatchi online gallery. Panel 3 is still to come.

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KLE is live

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no 15

Bower bird part two

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no 14

no 15

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disastrous acts of creativity that artists sometimes do

There is indisputable evidence that in every persons life at some point they will get led up a garden path and while it is true to say that many people probably avoid too much of this type of meandering artists are particularly prone to this haphazard type of jay walking.  The reasons for this is that artists can sometimes be a little bit crap and easily swayed! And because they like to jump on lots of bandwagons and try really hard to say something new they end up sounding like all the rest of the drivel and  ultimately  this results in being voted most likely to join a cult, fail to get a real job or be seen as a permanently aloof student with the main percentage of their earnings being spent on booze. This is frustrating, especially when you feel that you have moved on. Cleaning urinals is never a first choice but in order to do it really well requires a change in perspective,a deepening of humanity and some careful adjustment. This is no longer my current job. I have had many roles including spending eight hours a day picking twigs out of a conveyer belt of slowly moving sultanas. Imagine the joy when they changed the moving tiny nuggets of death to raisins. The happiness was indescribable. This leads me to my disastrous driving lessons and my tenuous link with thoughts about  ’disastrous acts of creativity that artists sometimes do’. Recently while I was attempting to learn to drive I saw a falcon perched on the fence and then a heron flew across and having spent the last thirty years wrapped in cinematic world of passenger magic, I forgot I was driving and therefore was not really not listening either. If I had been listening I would have realized that  we were coming to the jaws of a roundabout. It was at this point I proclaimed rather loudly that I was getting out of the car to which my driving instructor was forced to slam on the breaks and told me that I wasn’t getting out of the car. Then I got out of the car. I blame this event on creativity and my relentless childlike awe of the world. If I had not just witnessed man and bird unified in harmony at the back of an industrial estate I would have been concentrating. Which leads me to the very painstakingly point of this post which was about the time I created a monstrous painting in angry rebellion as a primitive response to life at the Academy. This four foot horror with two heads had voice bubbles coming out an angry mouth saying bla, bla, bla, bla, bla because everyone at the time seemed to be talking a constant stream of toss. My angry rebellion lasted three years. To conclude painters sometimes produce utter trite and then get confused because they think they are geniuses.

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These are my tools

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No 13

     [Click on image]

No 13

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No 12

  [Click on image]

'Untitled'

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No 11

 

Bit well posh

Bit well posh © Joanne Webb 09

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Kids Love Earth – Shortlisted for business award!

This eccentric, kooki and and very kule little emporium based in Chichester ,West Sussex has just been shortlisted for the ‘Green Business Award’ category by the Observer Business of the Year Awards. 

 KLE Shop front

‘Inspiring children to understand, love and protect the natural world’ – products include nature and science activities, toys and experiments aimed at a range of ages sold in an inspirational and quirky little setting!

Julie has two children aged 8 and 6 years old. When she decided to launch Kids Love Earth her focus was not financial gain but that of transforming lives and changing attitudes on the high street. In her role as a parent her concerns for her children’s future grew and she became fearful that her children would grow up not knowing the names of local birds in the garden or see local and natural habitats teaming with butterflies, flora and fauna.  

Concerned with practical green issues and building on green belts KLE sets out to sell products which would not only inspire but teach children of all age groups about our natural world and even caters for inner city families without a garden. In the current financial climate catching a household spider and looking at its 8 legged strangeness in a 99 pence bug jar could spur a lifetime fascination and support of biodiversity including raising awareness for the natural environment.

The hope is that children who are given these opportunities may grow up to be campaigners and advocates for the protection of the planet and local wildlife and space. I see her as a sane voice in a sea of global consumerism and mass-producing conglomerate businesses, an inspirational voice whom would benefit greatly from such a special award.

I recommend that you visit this shop wholeheartedly as it will be like nothing you have seen before – enjoy! To find out where the shop is or order online  click here > -  www.kidsloveearth.co.uk   

Its also great for me as I was commissioned to come up with KLE’s image and promotional material, marketing and branding design.  

 

 

 

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Interactions,conversations and animal behavior

avatar-in-oil4 When I returned home from a walkabout in Montana in 200o after living with the Lakota Sioux tribe for a year and three months I spoke a bit like Jesus. This was met with both fascination, horror, humour and quite a bit of confusion. The adjustment period took a long time to settle and it was forever before I pinged back  and reestablished a link with my former self. I had changed quite considerably and I had indeed left Kansas. I lived in a place where there was an undoubtable sense that a great force or presence was all around you and it shifted into people, objects, animals and land and it really grabbed my attention. By connecting with this –  you were led into a series of pre determined events which only came about if you had understood the ‘event’  which had taken place before hand. Whether that was 3 weeks ago or yesterday,  a random conversation with a stranger, a bird flying over your head, a deer running across the road, a fox sitting in your yard. If you missed that moment of significance  or you misread it in some way, it felt as though you were then lead to an alternative life path. 

Momentary interactions,conversations and animal behavior became key to my own behavior and the choices that I made. I missed, and misread a lot of these events. I also followed the ones which were clearly visible, allowed and  indeed immersed myself to be moved by them, taking the risks set out before me and the leaps of faith. Eventually, I ended up on the Navajo reservation in Arizona with ten bucks in my pocket, nowhere to stay and seven days till my return trip on a Greyhound  back to Montana and my flight home. Another story. Another day. When there is a whole community which is spiritually based, then the magic is very real and very intense and you do see that life flows.

Back in the UK I created a series of  paintings depicting life on the reservation and the political struggle in particular. It felt like I was making an awful attempt to make a comment and it  was being perceived as a trendy experience. Heaven forbid –  highlighting my terribly interesting artistic life  - and not wanting this experience to be mashed up into a series of  buzz words and scarred with phrases such as ’sense of place’ I  banished the paintings into storage and I stopped pretending to be an art activist for tribal cultures around the world.

Instead I  learned to paint from my heart  and it was harder than anything I had tried before. I see alot of artists creating works which you know will look great in a London gallery, lovingly placed on those white walls – and if you get the gig then go with it –  but it brings it all back to me –  the facades, the veil and the veneer, that we project. The price tags alone always speak volumes and artists insane devotion to making artwork as inaccessible as possible, missing the point entirely and it makes me want to weep. The temptation is huge, but when you come down from the sublime arts pedestal which is international and hi-brow and terribly conceptual -  there is light and the people will applaud your return.

Last night I used part 1 of ‘girl on stilts’ and put it behind a detail of one of those political banished works and saw that two worlds have now finally come together. Now…………….. the real work begins.

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‘Girl on stilts’ Part 1

Part one of ‘Girl on stilts’ has been added to my Saatchi online profile and link at the bottom of the page. Anyone following my blog will be the first to be updated when part two and part three is added. The finale will be all three panels together to give you the one image.

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No 10

 

Dingo sits on hot sand

Dingo sits on hot sand © Joanne Webb 09

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No 9

 

Calm day at sea

Calm day at sea © Joanne Webb 09

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tiny tea for mice and 4 minutes on facebook

This image can be purchased as a badge - Shop opening soon - see link -

Shop opening soon - see link below - Joanne Webb 09 ©

Mouse drinks tea – what a thought! Tiny china ceramic cup cost me £1.75 but indeed it was worth it, because it made me feel like a god. Yesterday I joined Facebook and in 2 minutes I had 10 friends and in another 2 minutes I had 40. Information overload got the better of me and then I deactivated my account. Sorry Facebook. Thus I returned to normal size. Currently playing in the world of dioramas and  thinking about my work on other surfaces.

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shiny magpie syndrome

There is life beyond the cold stark gallery walls. I am  a hybrid and I embrace it. A creative adventurer. A painter producing works on  hand made italian panels, a designer able to consider the concept of  artwork onto everything that has a surface from shoes, to skateboards, to textiles and ceramics. I am a graphic artist capable of using professional software enabling the ‘magpie’ in me, to make it all happen and bring my artwork to life whether its a teacup or 100ft tall. This is the shiny magpie syndrome and I applaud it. I have no pigeon hole and for me this for is my new revelation, I surrender. Creativity is vast, its everywhere and all encompassing. Free from the need to ‘be recognized as a real artist in a real gallery’. What does that mean anyway? For me it is backed  into a tiny two dimensional corner consisting of frames nurturing the ego and waxing and waning like the moon.

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No 8

 

Little bear leaves no shadow

Little bear leaves no shadow © Joanne Webb 09

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unleashed creative monster versus housework

I think when my good friends said that it would be a great idea to have a blog that they did not realize to what extent that they may have now unleashed this idea to a creative monster -nor -did they realize that with this new and fueled platform, that gradually I would be abandoning post at the domestic sink in order to write it. I mustered up the energy to put my washing on today, but alas I took one look at the  war-zone  of plates and deserted cups and decided to leave them in the battleground until fully armed with cleaning supplies. Instead I sit and write you another post. When all else is abandoned for the sake of creativity, you know that your in it deep, and the only way out, is for you to ride the storm. So to the kitchen, I wave a fond farewell and to the blog , I embrace. So, to the arguments of art. I considered just uploading some images from a little sketchbook that I produced in a day and then I added some links and then, before I knew it I was writing, and this is where I am now. Quite unintentional believe me! All I had to do, was write little comments like ‘this is a bird’ or give a reason as to why I had produced the painting in the fist place  and bought it into existence. There it is ……’the reason’ ……’why did I do it?’. In every private view I have ever had, my sole aim is to avoid the people that come up to me and say that dreaded phrase  ’ So…… tell me about your work’. My heart sinks, I take a deep breath, pause and summon a reply of which I have rehearsed and rehearsed thanks to ten years of torment at art school, launching into the many tedious and tenuous links and still it comes out wrong. This puts the fear in me so much now, that I have now considered attending my own private views in disguise. Explanations just destroy art, it crumbles it into a million pieces and then words are attached, the magic is gone.

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swept under the rug

Well here it is. If I have to do I am going to do it now. I embark on this blog journey with dred ( Imagine my wonderment when I found ‘dred’ in the title hah I thought its destiny). It’s bad enough when you say something you wish you hadn’t and  and then somehow over time those little words float up into the aether  forgotten or at least swept under the nearest convenient rug with a ‘oh I think I drank to much’ to blame. Anyway before I dig myself into a right royal hole I hate the thought that my words will get etched into this screen and left overnight and then someone will comment on it – thus the fear will return and I will go back over the posts and press delete, delete,delete. Making the whole short lived event completely pointless. How long will this last? I cant stand art criticism or public art performances because as a painter or rather hybrid of creative adventures if I am honest, and from the day I ventured through the doors of art college everybody had a get out of jail free card to say what they wanted about my work and I just , well learnt to resent it. Constructive criticism was constantly ambling along at the back – dragging its oversized knuckles whilst random, lame and crap critical comments seemed to be flying from every corner. Hah, that was a bit cathartic – mmm maybe I will add another. Hope they don’t get to angry – oh well if they do I will attempt to rescue myself with a cup of hot sugary tea and a sit down. Then delete it! Over one year I will upload 100 images.

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No 7

 

Black bird with long legs

Black bird with long legs © Joanne Webb 09

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No 6

 

Ballet dance © Joanne Webb 09

Ballet dance © Joanne Webb 09

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No 5

 

Walks with crook leg
Old man with crook leg © Joanne Webb 09

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No 4

 

Strong winds

Strong winds © Joanne Webb 09

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No 3

 

Pink bird

Pink bird © Joanne Webb 09

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No 2

 

Thinking

Thinking © Joanne Webb 09

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No 1

 

Dog rushing through air

Dog rushing through air © Joanne Webb 09

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Copyright

© [ Joanne Webb ] and [ One year one hundred works ], [ 2009/10]. Unauthorized use and/or duplication of this material without express and written permission from this blog's author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to [ Joanne Webb ] and [ One year one hundred works ] with appropriate and specific direction to the original content.

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